{"id":13798,"date":"2019-01-17T06:37:38","date_gmt":"2019-01-17T14:37:38","guid":{"rendered":"http:\/\/www.heuermontage.com\/?p=13798"},"modified":"2019-01-17T06:37:46","modified_gmt":"2019-01-17T14:37:46","slug":"psst-wunderkammer","status":"publish","type":"post","link":"https:\/\/www.heuermontage.com\/?p=13798","title":{"rendered":"Psst! Wunderkammer!"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"3496\" height=\"2540\" src=\"https:\/\/i1.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6725-copy.jpg?fit=890%2C647\" alt=\"\" class=\"wp-image-13808\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6725-copy.jpg?w=3496&amp;ssl=1 3496w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6725-copy.jpg?resize=300%2C218&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6725-copy.jpg?resize=768%2C558&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6725-copy.jpg?resize=1024%2C744&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6725-copy.jpg?resize=560%2C407&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6725-copy.jpg?resize=80%2C58&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6725-copy.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6725-copy.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n\n\n\n<p>Too late. The exhibit closes in 4 days. Well, not really too late, since I wouldn&#8217;t travel to Hungary in any case, on account of my politics. Or Victor Orb\u00e1n&#8217;s and his administration&#8217;s, more precisely.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"877\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.39.54-PM.png?resize=890%2C877&#038;ssl=1\" alt=\"\" class=\"wp-image-13804\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.39.54-PM.png?resize=1024%2C1009&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.39.54-PM.png?resize=300%2C296&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.39.54-PM.png?resize=768%2C757&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.39.54-PM.png?resize=560%2C552&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.39.54-PM.png?resize=80%2C79&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.39.54-PM.png?w=1364&amp;ssl=1 1364w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Andr\u00e1s B\u00f6r\u00f6cz, \u201cBarrels on Eggs\u201d (1993-94), cardboard, cork, chicken eggs, duck eggs (photo by Dorka H\u00fcbner)<\/p>\n\n\n\n<p>That said, ohh, would I have loved to see this exposition of ingeniously fabricated objects. (And, if anyone ever described my own work as &#8220;&#8230;.<em>represent(s) both the consciousness of&nbsp;homo faber&nbsp;and the ease of&nbsp;homo ludens,\u201d&nbsp;<\/em>as&nbsp;Agnes Berecz, a Pratt Institute prof of History of Art and Design did of&nbsp;Andr\u00e1s B\u00f6r\u00f6cz&#8217; sculptures, I&#8217;d die a happy woman.)<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"3648\" height=\"2736\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6737.jpg?fit=890%2C668\" alt=\"\" class=\"wp-image-13809\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6737.jpg?w=3648&amp;ssl=1 3648w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6737.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6737.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6737.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6737.jpg?resize=560%2C420&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6737.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6737.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6737.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed-wordpress wp-block-embed is-type-wp-embed is-provider-hyperallergic\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"EBcHIlbIV2\"><a href=\"https:\/\/hyperallergic.com\/479738\/andras-borocz-kunsthalle-institution-of-the-hungarian-academy-of-arts\/\">The Visual Chill of the Cold War Is More Relevant Than Ever<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/hyperallergic.com\/479738\/andras-borocz-kunsthalle-institution-of-the-hungarian-academy-of-arts\/embed\/#?secret=EBcHIlbIV2\" data-secret=\"EBcHIlbIV2\" width=\"600\" height=\"338\" title=\"&#8220;The Visual Chill of the Cold War Is More Relevant Than Ever&#8221; &#8212; Hyperallergic\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>So what am I talking about? <em>Non-Objective Objects<\/em>, Andr\u00e1s B\u00f6r\u00f6cz\u2019s Art,&nbsp;curated by&nbsp;M\u00e1rta Kovalovszky, is currently on show at Budapest&#8217;s Kunsthalle, a museum that has become a focal point of the tensions between progressive views and the reactionary Hungary administration.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"632\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/The-Head-Accountant-2013-carved-pencil-oak-toilet-plunger-straight-pins-cork-tape-measure.jpg?resize=632%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-13806\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/The-Head-Accountant-2013-carved-pencil-oak-toilet-plunger-straight-pins-cork-tape-measure.jpg?resize=632%2C1024&amp;ssl=1 632w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/The-Head-Accountant-2013-carved-pencil-oak-toilet-plunger-straight-pins-cork-tape-measure.jpg?resize=185%2C300&amp;ssl=1 185w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/The-Head-Accountant-2013-carved-pencil-oak-toilet-plunger-straight-pins-cork-tape-measure.jpg?resize=768%2C1244&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/The-Head-Accountant-2013-carved-pencil-oak-toilet-plunger-straight-pins-cork-tape-measure.jpg?resize=560%2C907&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/The-Head-Accountant-2013-carved-pencil-oak-toilet-plunger-straight-pins-cork-tape-measure.jpg?resize=80%2C130&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/The-Head-Accountant-2013-carved-pencil-oak-toilet-plunger-straight-pins-cork-tape-measure.jpg?w=1400&amp;ssl=1 1400w\" sizes=\"auto, (max-width: 632px) 100vw, 632px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Andr\u00e1s B\u00f6r\u00f6cz, \u201cThe Head Accountant\u201d (2013), carved pencil, oak, toilet plunger, straight pins, cork, tape measure (photo by Dorka H\u00fcbner)<\/p>\n\n\n\n<p>From what I discerned from the reviews, the exhibition excels in both <em>what<\/em> is displayed and <em>how<\/em> it is displayed, the latter referenced as a cabinet-of-curiosities, Wunderkammer, perfectly suited to its contents.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2736\" height=\"3522\" src=\"https:\/\/i2.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6767-copy.jpg?fit=795%2C1024\" alt=\"\" class=\"wp-image-13813\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6767-copy.jpg?w=2736&amp;ssl=1 2736w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6767-copy.jpg?resize=233%2C300&amp;ssl=1 233w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6767-copy.jpg?resize=768%2C989&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6767-copy.jpg?resize=795%2C1024&amp;ssl=1 795w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6767-copy.jpg?resize=560%2C721&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6767-copy.jpg?resize=80%2C103&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6767-copy.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6767-copy.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"2736\" height=\"3648\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6774-copy.jpg?fit=768%2C1024\" alt=\"\" class=\"wp-image-13814\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6774-copy.jpg?w=2736&amp;ssl=1 2736w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6774-copy.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6774-copy.jpg?resize=768%2C1024&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6774-copy.jpg?resize=560%2C747&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6774-copy.jpg?resize=80%2C107&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6774-copy.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6774-copy.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n\n\n\n<p>The artist left Hungary in 1985 and is living in NYC. You can catch glimpses of his work here <a href=\"https:\/\/www.andrasborocz.com\">https:\/\/www.andrasborocz.com &nbsp;<\/a> and early reviews of the artist as a wizard and his work as magical here:<\/p>\n\n\n\n<p><a href=\"https:\/\/www.nytimes.com\/2002\/12\/20\/arts\/art-in-review-andras-borocz.html\">https:\/\/www.nytimes.com\/2002\/12\/20\/arts\/art-in-review-andras-borocz.html&nbsp;<\/a><\/p>\n\n\n\n<p>Basically B\u00f6r\u00f6cz takes everyday objects, both found in nature or manufactured and creates sculptures or tableaux from them that reference in all directions: politics, quotidian life, art history with a focus on surrealism, and again and again Jewish rituals that in themselves refer to political action. Yad, the Jewish pointer use in reading Torah, <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"768\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.43.52-PM.png?resize=890%2C768&#038;ssl=1\" alt=\"\" class=\"wp-image-13805\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.43.52-PM.png?resize=1024%2C884&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.43.52-PM.png?resize=300%2C259&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.43.52-PM.png?resize=768%2C663&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.43.52-PM.png?resize=560%2C483&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.43.52-PM.png?resize=80%2C69&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/Screen-Shot-2019-01-16-at-12.43.52-PM.png?w=1610&amp;ssl=1 1610w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Andr\u00e1s B\u00f6r\u00f6cz <em>Yad,&nbsp;2010<\/em><\/figcaption><\/figure>\n\n\n\n<p>noise makers for the Purim Megillah, Matzoh and more all appear in &#8211; sometimes satirical &#8211; disguises. Think of him as a Hungarian Max Ernst, landed in the 21st century, balancing learnedness with a fondness for craftsmanship, performance art and an unerring eye for historical parallels. As for the politics: read the Hyperallergic review linked to above, since I am keeping with my promise to be mum on them this week&#8230;.<\/p>\n\n\n\n<p> Let&#8217;s hope there will be a US- based retrospective soon!<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1272\" height=\"1824\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6752-copy.jpg?fit=714%2C1024\" alt=\"\" class=\"wp-image-13811\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6752-copy.jpg?w=1272&amp;ssl=1 1272w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6752-copy.jpg?resize=209%2C300&amp;ssl=1 209w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6752-copy.jpg?resize=768%2C1101&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6752-copy.jpg?resize=714%2C1024&amp;ssl=1 714w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6752-copy.jpg?resize=560%2C803&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6752-copy.jpg?resize=80%2C115&amp;ssl=1 80w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n\n\n\n<p>Music today: a terrific version of Bartok&#8217;s Romanian Folk Dances, arranged for violin and piano, that perfectly matches the spirit of B\u00f6r\u00f6cz&#8217; work.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"B\u00e9la Bart\u00f3k: Romanian Folk Dances | Tessa Lark, Yannick Rafalimanana\" width=\"890\" height=\"501\" src=\"https:\/\/www.youtube.com\/embed\/vsGDYcbANGg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Photographs are select items found in different Wunderkammer settings in Lower Saxony, Germany&#8230;..<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"3648\" height=\"2736\" src=\"https:\/\/i2.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6388.jpg?fit=890%2C668\" alt=\"\" class=\"wp-image-13812\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6388.jpg?w=3648&amp;ssl=1 3648w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6388.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6388.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6388.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6388.jpg?resize=560%2C420&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6388.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6388.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/01\/IMG_6388.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Too late. The exhibit closes in 4 days. Well, not really too late, since I wouldn&#8217;t travel to Hungary in any case, on account of my politics. Or Victor Orb\u00e1n&#8217;s and his administration&#8217;s, more precisely. Andr\u00e1s B\u00f6r\u00f6cz, \u201cBarrels on Eggs\u201d (1993-94), cardboard, cork, chicken eggs, duck eggs (photo by Dorka H\u00fcbner) That said, ohh, would [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":13810,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-13798","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.6 (Yoast SEO v27.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Psst! 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