{"id":18994,"date":"2019-09-18T08:21:01","date_gmt":"2019-09-18T15:21:01","guid":{"rendered":"http:\/\/www.heuermontage.com\/?p=18994"},"modified":"2019-09-18T08:21:07","modified_gmt":"2019-09-18T15:21:07","slug":"art-on-the-road-paam","status":"publish","type":"post","link":"https:\/\/www.heuermontage.com\/?p=18994","title":{"rendered":"Art on the Road: PAAM"},"content":{"rendered":"\n<p>Let&#8217;s face it: when I visit a museum showing contemporary art these days I might be challenged, made to think, dumb-founded, or roll my eyes &#8211; but uplifted I ain&#8217;t. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"594\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111229.jpg?resize=890%2C594&#038;ssl=1\" alt=\"\" class=\"wp-image-18999\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111229.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111229.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111229.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111229.jpg?resize=560%2C373&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111229.jpg?resize=80%2C53&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111229.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111229.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n\n\n\n<p>So it is all the more noteworthy when I stumble into an exhibit that elicits unadulterated joy. And this I did last week when visiting the Provincetown Art Association and Museum (<a href=\"https:\/\/www.paam.org\">PAAM<\/a>.) Located in a building that is itself a calming environment full of light, and architecturally clever in providing small spaces without seeming small, I saw <em>Color Beyond Description &#8211; <\/em>the Watercolors of Charles Hawthorne, Hans Hofman and Paul Resika. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"594\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111242.jpg?resize=890%2C594&#038;ssl=1\" alt=\"\" class=\"wp-image-19000\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111242.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111242.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111242.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111242.jpg?resize=560%2C373&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111242.jpg?resize=80%2C53&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111242.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111242.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"594\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111268.jpg?resize=890%2C594&#038;ssl=1\" alt=\"\" class=\"wp-image-19007\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111268.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111268.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111268.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111268.jpg?resize=560%2C373&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111268.jpg?resize=80%2C53&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111268.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111268.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/figure>\n\n\n\n<p>The title might contain the word <em>color<\/em> but really the impression was one of all <em>light<\/em>. And lightness. The watercolors floated on more than the paper, they emanated a joy about connection to the landscape they depicted &#8211; or so it seemed to this mind, itself  primed by the beauty of the Cape Cod surrounds. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"611\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111248.jpg?resize=890%2C611&#038;ssl=1\" alt=\"\" class=\"wp-image-19002\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111248.jpg?resize=1024%2C703&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111248.jpg?resize=300%2C206&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111248.jpg?resize=768%2C527&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111248.jpg?resize=560%2C385&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111248.jpg?resize=80%2C55&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111248.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111248.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Charles Hawthorne, <em>The Pasture, Provincetown, (<\/em>1927\/30)<\/figcaption><\/figure>\n\n\n\n<p><a href=\"https:\/\/americanart.si.edu\/artist\/charles-w-hawthorne-2128\">Hawthorne<\/a> and <a href=\"https:\/\/americanart.si.edu\/artist\/hans-hofmann-2264\">Hofman<\/a> both were part of the early Provincetown Art Colony, with Hofman teaching at his own school from 1935 to 1958 when he summered at the Cape. Landscape and nature-inspired abstraction were a main focus for him (and later his student <a href=\"https:\/\/americanart.si.edu\/artist\/paul-resika-4007\">Resika<\/a>, a painter of the New York School. Here is an enlightening <a href=\"https:\/\/hyperallergic.com\/440111\/paul-resika-geometry-and-the-sea-steven-harvey-fine-art-projects-bookstein-projects-2018\/\">review<\/a> of the latter&#8217;s contemporary work.) <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"654\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111246.jpg?resize=890%2C654&#038;ssl=1\" alt=\"\" class=\"wp-image-19001\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111246.jpg?resize=1024%2C752&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111246.jpg?resize=300%2C220&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111246.jpg?resize=768%2C564&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111246.jpg?resize=560%2C412&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111246.jpg?resize=80%2C59&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111246.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111246.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Paul Resika Three Figures and Fire <em>(2002)<\/em><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"627\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111252.jpg?resize=890%2C627&#038;ssl=1\" alt=\"\" class=\"wp-image-19003\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111252.jpg?resize=1024%2C721&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111252.jpg?resize=300%2C211&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111252.jpg?resize=768%2C540&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111252.jpg?resize=560%2C394&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111252.jpg?resize=80%2C56&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111252.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111252.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Paul Resika <em>Figures on Beach, Cliff # 2 <\/em>(1966)<\/figcaption><\/figure>\n\n\n\n<p>Use of light, and even more so of abstraction, changes how we are able or encouraged to perceive the familiar in new fashion. Keyword here, though, is <em>familiar<\/em>: I think work that is descriptive of or alluding to something we know resonates in special ways. Instead of working on deciphering we can give ourselves to the joy of recognition, placing a bit of ourselves into the percept, forging a relation. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"656\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111258.jpg?resize=890%2C656&#038;ssl=1\" alt=\"\" class=\"wp-image-19005\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111258.jpg?resize=1024%2C755&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111258.jpg?resize=300%2C221&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111258.jpg?resize=768%2C566&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111258.jpg?resize=560%2C413&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111258.jpg?resize=80%2C59&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111258.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111258.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Hans Hofman <em>Midday (1943)<\/em><\/figcaption><\/figure>\n\n\n\n<p>And play with light is particularly possible for those who KNOW the landscape, intimately and across time and season. I have been thinking about the concept of &#8220;the local&#8221; recently, spurned both by travel and by input from other domains: A recent reading at OJMCHE by<a href=\"http:\/\/www.juditharcana.com\/home\"> Judith Arcana<\/a> from her <a href=\"https:\/\/www.thestranger.com\/books\/2019\/07\/09\/40714958\/judith-arcanas-biography-of-activist-grace-paley-sees-her-whole-life\">biography of Grace Paley<\/a> revealed the latter to be determined to cling to the local: as a community organizer, an anti-war activist, and, eventually, a story teller. That decision made her effective in these various compartments of her life, even though it meant national recognition as an artist was late in coming.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"670\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111270.jpg?resize=890%2C670&#038;ssl=1\" alt=\"\" class=\"wp-image-19008\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111270.jpg?resize=1024%2C771&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111270.jpg?resize=300%2C226&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111270.jpg?resize=768%2C578&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111270.jpg?resize=560%2C421&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111270.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111270.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111270.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Hans Hofman <em>Untitled<\/em> (ca. 1943)<\/figcaption><\/figure>\n\n\n\n<p>The focus on the local cannot be defined too narrowly &#8211; both Hofman and Resika were living in multiple locales, and Hofmann&#8217;s European background surely influenced his explorations. It is more that familiarity with a given subject leads to expertise in this subject and thus fluidity in describing it, reflecting the changes it can undergo.  Well, I am speculating. For an in-depth, knowledgeable and incisive review, you best go <a href=\"http:\/\/www.sharecom.ca\/greenberg\/hofmann.html\">here<\/a>. Clement Greenberg rules!<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"4656\" height=\"3372\" src=\"https:\/\/i2.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111262-1.jpg?fit=890%2C645\" alt=\"\" class=\"wp-image-19012\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111262-1.jpg?w=4656&amp;ssl=1 4656w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111262-1.jpg?resize=300%2C217&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111262-1.jpg?resize=768%2C556&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111262-1.jpg?resize=1024%2C742&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111262-1.jpg?resize=560%2C406&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111262-1.jpg?resize=80%2C58&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111262-1.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111262-1.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Hans Hofman Untitled (ca. 1943)<\/figcaption><\/figure>\n\n\n\n<p>I am back in the landscape familiar to me, noticing the changes brought on by the season. I am working through the tension how I can always get so excited about all the new I experience, hear and see during my travels, and be equally thrilled when I encounter the familiar, be it of landscapes I frequently visit, or my very own at home. I guess, in the end, a sense of belonging trumps all. But excitement is next best!  <\/p>\n\n\n\n<p>And here is a special shout-out to the curator of PAAM who worked a miracle in creating a clever and actually coherent display of completely disparate art slated to be auctioned off for fundraising in early October. The museum deserves support.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111272.jpg?resize=683%2C1024&#038;ssl=1\" alt=\"\" class=\"wp-image-19009\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111272.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111272.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111272.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111272.jpg?resize=560%2C840&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111272.jpg?resize=80%2C120&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111272.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2019\/09\/P1111272.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure>\n\n\n\n<p>Music today by Charles Ives, <a href=\"https:\/\/www.youtube.com\/watch?v=tbArUJBRRJ0\"><em>The Unanswered Question<\/em><\/a>. About covers me and reviewing art&#8230;.. <\/p>\n\n\n\n<p> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Let&#8217;s face it: when I visit a museum showing contemporary art these days I might be challenged, made to think, dumb-founded, or roll my eyes &#8211; but uplifted I ain&#8217;t. So it is all the more noteworthy when I stumble into an exhibit that elicits unadulterated joy. And this I did last week when visiting [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":19010,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-18994","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.6 (Yoast SEO v27.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Art on the Road: PAAM - YDP - your daily picture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.heuermontage.com\/?p=18994\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art on the Road: PAAM\" \/>\n<meta property=\"og:description\" content=\"Let&#8217;s face it: when I visit a museum showing contemporary art these days I might be challenged, made to think, dumb-founded, or roll my eyes &#8211; but uplifted I ain&#8217;t. So it is all the more noteworthy when I stumble into an exhibit that elicits unadulterated joy. 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