{"id":23428,"date":"2020-03-27T07:31:19","date_gmt":"2020-03-27T14:31:19","guid":{"rendered":"http:\/\/www.heuermontage.com\/?p=23428"},"modified":"2020-03-27T07:31:22","modified_gmt":"2020-03-27T14:31:22","slug":"the-world-keeps-ending-and-the-world-goes-on","status":"publish","type":"post","link":"https:\/\/www.heuermontage.com\/?p=23428","title":{"rendered":"The world keeps ending, and the world goes on."},"content":{"rendered":"\n<p>A timely poem to end the week. The poet is <em>Franny Choi<\/em>, author of the poetry collection<em>s Soft Science&nbsp;<\/em>(Alice James, 2019) and<em>&nbsp;Floating, Brilliant, Gone&nbsp;<\/em>(Write Bloody Publishing, 2014). She is a Gaius Charles Bolin Fellow at Williams College, a member of the multidisciplinary artists of color collective Dark Noise, and a cohost of the Poetry Foundation&#8217;s podcast,&nbsp;<a href=\"https:\/\/www.poetryfoundation.org\/podcasts\/category\/142241\">VS<\/a>. Links to more of her writing can be found <a href=\"https:\/\/www.frannychoi.com\/poems\">here<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"628\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Connection-copy.jpg?resize=890%2C628&#038;ssl=1\" alt=\"\" class=\"wp-image-23433\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Connection-copy.jpg?resize=1024%2C722&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Connection-copy.jpg?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Connection-copy.jpg?resize=768%2C542&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Connection-copy.jpg?resize=1536%2C1084&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Connection-copy.jpg?resize=560%2C395&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Connection-copy.jpg?resize=80%2C56&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Connection-copy.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Friderike Heuer <em>Connection<\/em> (2017)<\/figcaption><\/figure>\n\n\n\n<p><strong>The World Keeps Ending, and the World Goes On<\/strong><\/p>\n\n\n\n<p>By Franny Choi<\/p>\n\n\n\n<p class=\"has-small-font-size\">Before the apocalypse, there was the apocalypse of boats:<br>boats of prisoners, boats cracking under sky-iron, boats making corpses<br>bloom like algae on the shore. Before the apocalypse, there was the apocalypse<br>of the bombed mosque. There was the apocalypse of the taxi driver warped<br>by flame. There was the apocalypse of the leaving, and the having left\u2014<br>of my mother unsticking herself from her mother\u2019s grave as the plane<br>barreled down the runway. Before the apocalypse, there was the apocalypse<br>of planes. There was the apocalypse of pipelines legislating their way<br>through sacred water, and the apocalypse of the dogs. Before which was<br>the apocalypse of the dogs and the hoses. Before which, the apocalypse<br>of dogs and slave catchers whose faces glowed by lantern-light.<br>Before the apocalypse, the apocalypse of bees. The apocalypse of \u200abuses.<br>Border fence apocalypse. Coat hanger apocalypse. Apocalypse in<br>the textbooks\u2019 selective silences. There was the apocalypse of the settlement<br>and the soda machine; the apocalypse of the settlement and<br>the jars of scalps; there was the bedlam of the cannery; the radioactive rain;<br>the chairless martyr demanding a name. I was born from an apocalypse<br>and have come to tell you what I know\u2014which is that the apocalypse began<br>when Columbus praised God and lowered his anchor. It began when a continent<br>was drawn into cutlets. It began when Kublai Khan told Marco,&nbsp;<em>Begin<br>at the beginning<\/em>. By the time the apocalypse began, the world had already<br>ended. It ended every day for a century or two. It ended, and another ending<br>world spun in its place. It ended, and we woke up and ordered Greek coffees,<br>drew the hot liquid through our teeth, as everywhere, the apocalypse rumbled,<br>the apocalypse remembered, our dear, beloved apocalypse\u2014it drifted<br>slowly from the trees all around us, so loud we stopped hearing it.<\/p>\n\n\n\n<p class=\"has-small-font-size\">Notes:\u201cBedlam of the cannery\u201d is borrowed from Mart\u00edn Espada.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"594\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Isolation-copy.jpg?resize=890%2C594&#038;ssl=1\" alt=\"\" class=\"wp-image-23437\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Isolation-copy.jpg?resize=1024%2C683&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Isolation-copy.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Isolation-copy.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Isolation-copy.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Isolation-copy.jpg?resize=560%2C373&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Isolation-copy.jpg?resize=80%2C53&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Isolation-copy.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Friderike Heuer <em>Isolation<\/em> (2017)<\/figcaption><\/figure>\n\n\n\n<p>Here she is on a PBS NewsHour reciting and discussing another one of her <a href=\"https:\/\/www.pbs.org\/newshour\/brief\/286139\/franny-choi\">poems<\/a> filled with courage not drowned out by anger.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"668\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Looking-for-jobs-copy.jpg?resize=890%2C668&#038;ssl=1\" alt=\"\" class=\"wp-image-23438\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Looking-for-jobs-copy.jpg?resize=1024%2C768&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Looking-for-jobs-copy.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Looking-for-jobs-copy.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Looking-for-jobs-copy.jpg?resize=1536%2C1152&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Looking-for-jobs-copy.jpg?resize=560%2C420&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Looking-for-jobs-copy.jpg?resize=80%2C60&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Looking-for-jobs-copy.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Friderike Heuer <em>Looking for Jobs<\/em> (2017)<\/figcaption><\/figure>\n\n\n\n<p>Photographs are from my 2017 photomontage series <em>The Refugees&#8217; Dreams.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"890\" height=\"733\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/From-ruins-to-ruins-copya.jpg?resize=890%2C733&#038;ssl=1\" alt=\"\" class=\"wp-image-23436\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/From-ruins-to-ruins-copya.jpg?resize=1024%2C843&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/From-ruins-to-ruins-copya.jpg?resize=300%2C247&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/From-ruins-to-ruins-copya.jpg?resize=768%2C632&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/From-ruins-to-ruins-copya.jpg?resize=1536%2C1265&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/From-ruins-to-ruins-copya.jpg?resize=560%2C461&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/From-ruins-to-ruins-copya.jpg?resize=80%2C66&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/From-ruins-to-ruins-copya.jpg?w=1800&amp;ssl=1 1800w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><figcaption>Friderike Heuer <em>From Ruins to Ruins<\/em> (2017)<\/figcaption><\/figure>\n\n\n\n<p>Music today by <a href=\"https:\/\/www.youtube.com\/watch?v=Uf9FxirTRak\">Aram Khatchaturian<\/a>. It, too, has courage.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"528\" height=\"792\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Fire.jpg?resize=528%2C792&#038;ssl=1\" alt=\"\" class=\"wp-image-23435\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Fire.jpg?w=528&amp;ssl=1 528w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Fire.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2020\/03\/Fire.jpg?resize=80%2C120&amp;ssl=1 80w\" sizes=\"auto, (max-width: 528px) 100vw, 528px\" \/><figcaption>Friderike Heuer <em>Fire<\/em> (2017)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>A timely poem to end the week. The poet is Franny Choi, author of the poetry collections Soft Science&nbsp;(Alice James, 2019) and&nbsp;Floating, Brilliant, Gone&nbsp;(Write Bloody Publishing, 2014). She is a Gaius Charles Bolin Fellow at Williams College, a member of the multidisciplinary artists of color collective Dark Noise, and a cohost of the Poetry Foundation&#8217;s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":23434,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[197],"tags":[],"class_list":["post-23428","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-poetry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.6 (Yoast SEO v27.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>The world keeps ending, and the world goes on. - YDP - your daily picture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.heuermontage.com\/?p=23428\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The world keeps ending, and the world goes on.\" \/>\n<meta property=\"og:description\" content=\"A timely poem to end the week. 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