{"id":2362,"date":"2016-10-04T07:26:54","date_gmt":"2016-10-04T14:26:54","guid":{"rendered":"http:\/\/www.heuermontage.com\/?p=2362"},"modified":"2016-10-04T07:26:54","modified_gmt":"2016-10-04T14:26:54","slug":"transitions","status":"publish","type":"post","link":"https:\/\/www.heuermontage.com\/?p=2362","title":{"rendered":"Transitions"},"content":{"rendered":"<p style=\"text-align: left;\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2365\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0682.jpg?resize=452%2C678&#038;ssl=1\" alt=\"dsc_0682\" width=\"452\" height=\"678\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0682.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0682.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0682.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0682.jpg?resize=560%2C840&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0682.jpg?resize=80%2C120&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0682.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0682.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 452px) 100vw, 452px\" \/><\/p>\n<p style=\"text-align: left;\">Not all <em>passages<\/em> lead to a better place &#8211; some just send you back to where you came from&#8230; such was the fate of Wilfredo Lam, the Cuban Picasso, when he escaped\u00a0Europe in a cargo vessel in 1940, together with multiple other artists and intellectuals fleeing the Nazis. The US denied him entry &#8211; whether for racist reasons or the mundane fact that he was acitizen of a neutral country &#8211; Cuba &#8211; and thus not eligible for refugee status, who knows.<\/p>\n<p>Point is, that he had to return to Cuba and later chose to live out his successful life and career in Europe. And so it is a European museum, the Tate Modern, that mounts a major retrospective of his work.<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-2364\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0673.jpg?resize=200%2C300&#038;ssl=1\" alt=\"dsc_0673\" width=\"200\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0673.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0673.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0673.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0673.jpg?resize=560%2C840&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0673.jpg?resize=80%2C120&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0673.jpg?w=1780&amp;ssl=1 1780w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/DSC_0673.jpg?w=2670&amp;ssl=1 2670w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>The first review, below, struck me with the sentiment of the last sentence &#8211;\u00a0<em>&#8220;Perhaps it is time to remind the Americans that there is knowledge to be had beyond the fences they are trying to build. &#8221;\u00a0<\/em>Note we are now <em>all<\/em>\u00a0seen in that deplorable basket of ignorants, a generalization\u00a0frequently encountered when I talk to my friends\u00a0abroad in the context of this election season. Outcome of a freakish election season.<\/p>\n<p><a href=\"http:\/\/www.independent.co.uk\/arts-entertainment\/art\/reviews\/the-ey-exhibition-wifredo-lam-tate-modern-london-review-cuban-artist-painter-pablo-picasso-andre-a7307626.html\">http:\/\/www.independent.co.uk\/arts-entertainment\/art\/reviews\/the-ey-exhibition-wifredo-lam-tate-modern-london-review-cuban-artist-painter-pablo-picasso-andre-a7307626.html<\/a><\/p>\n<p><a href=\"https:\/\/repeatingislands.com\/2016\/09\/01\/wifredo-lam-the-unlikely-comeback-of-the-cuban-picasso\/\">Wifredo Lam: the unlikely comeback of the Cuban&nbsp;Picasso<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-2367 aligncenter\" src=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/Screen-Shot-2016-10-03-at-2.36.58-PM.png?resize=733%2C773&#038;ssl=1\" alt=\"screen-shot-2016-10-03-at-2-36-58-pm\" width=\"733\" height=\"773\" srcset=\"https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/Screen-Shot-2016-10-03-at-2.36.58-PM.png?resize=971%2C1024&amp;ssl=1 971w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/Screen-Shot-2016-10-03-at-2.36.58-PM.png?resize=285%2C300&amp;ssl=1 285w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/Screen-Shot-2016-10-03-at-2.36.58-PM.png?resize=768%2C810&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/Screen-Shot-2016-10-03-at-2.36.58-PM.png?resize=560%2C590&amp;ssl=1 560w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/Screen-Shot-2016-10-03-at-2.36.58-PM.png?resize=80%2C84&amp;ssl=1 80w, https:\/\/i0.wp.com\/www.heuermontage.com\/wp-content\/uploads\/2016\/10\/Screen-Shot-2016-10-03-at-2.36.58-PM.png?w=1068&amp;ssl=1 1068w\" sizes=\"auto, (max-width: 733px) 100vw, 733px\" \/>Lam&#8217;s most famous painting\u00a0is called\u00a0<em>The Jungle.\u00a0<\/em>I think it is a terrific example of mind blowing <em>transitions<\/em> within a piece of art. The melding of figures, landscapes, botanical and cultural elements and a claimed state of mind works seamlessly, drawing you ever deeper in.<\/p>\n<p><a href=\"http:\/\/www.moma.org\/collection\/works\/34666\">http:\/\/www.moma.org\/collection\/works\/34666<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Not all passages lead to a better place &#8211; some just send you back to where you came from&#8230; such was the fate of Wilfredo Lam, the Cuban Picasso, when he escaped\u00a0Europe in a cargo vessel in 1940, together with multiple other artists and intellectuals fleeing the Nazis. The US denied him entry &#8211; whether [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2366,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[],"class_list":["post-2362","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.6 (Yoast SEO v27.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Transitions - YDP - your daily picture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.heuermontage.com\/?p=2362\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Transitions\" \/>\n<meta property=\"og:description\" content=\"Not all passages lead to a better place &#8211; some just send you back to where you came from&#8230; such was the fate of Wilfredo Lam, the Cuban Picasso, when he escaped\u00a0Europe in a cargo vessel in 1940, together with multiple other artists and intellectuals fleeing the Nazis. 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