{"id":24498,"date":"2020-05-08T07:13:14","date_gmt":"2020-05-08T14:13:14","guid":{"rendered":"http:\/\/www.heuermontage.com\/?p=24498"},"modified":"2020-05-08T07:13:17","modified_gmt":"2020-05-08T14:13:17","slug":"speech-sung","status":"publish","type":"post","link":"https:\/\/www.heuermontage.com\/?p=24498","title":{"rendered":"Speech, Sung"},"content":{"rendered":"\n

\u201cI\u2019m working on human speech [and] I\u2019ve arrived at a melody created by this speech. I\u2019ve arrived at an embodiment of recitative in melody\u201d. – Modest Mussorgsky<\/strong><\/p>\n\n\n\n

We ended up this week with words, didn’t we? Wells’ written words, Hildegard von Bingen’s invented words and now words transformed into melodies. Mussorgsky<\/a> (1839 – 1881) was interested in realism, by which he meant setting the sound of the spoken Russian language to music.\u00a0His leanings towards progressive politics and the fact that he was an atheist was evident in the way he selected speech of particular Russians. He set the poetry of Pushkin to music, as well as folk tales and many varieties of ordinary speech \u2013 nannies, mothers, children, soldiers. On stage he preferred his evil characters (like Rimsky-Korsakov\u2019s) to be witches, devils, and magicians, as a way to avoid censors.<\/p>\n\n\n\n

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The music was all about natural rhythm and Russian history, incredibly creative, ahead of its time. Do yourself a favor and listen to what I am attaching below – it is revelatory, particularly if you, like I, were fed on a diet of The Dance of the Bumblebee<\/em> or Boris Godunov<\/em>. Slavic tunes, pride in national heritage and a preoccupation with his view of the depth of the Russian soul all colored his compositions in addition to the focus on expressed speech patterns.<\/p>\n\n\n\n

The composer, like many of the others (Rimsky-Korsakov, Alexander Borodin, Mily Balakirev and C\u00e9sar Cui) in the group of artists he belonged to, known as the Russian Five, \u2013 the\u00a0Moguchaya Kuchka (\u201cThe Mighty Little Heap<\/strong><\/em>)\u00a0<\/a> \u2013 died prematurely. Poverty was one of the reasons (in his case alcoholism was another, he was self medicating for his life-long depression) – there was never enough money earned by performances. The Tzar and his court controlled the musical market and Mussorgsky did not have personal sponsors or foreign fairy godmothers who would provide a regular, sufficient allowance. <\/p>\n\n\n\n

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And yet, he created such beauty – judge for yourself.<\/p>\n\n\n\n

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