{"id":38540,"date":"2022-04-08T07:48:46","date_gmt":"2022-04-08T14:48:46","guid":{"rendered":"http:\/\/www.heuermontage.com\/?p=38540"},"modified":"2022-04-08T07:48:49","modified_gmt":"2022-04-08T14:48:49","slug":"to-name-is-to-know","status":"publish","type":"post","link":"https:\/\/www.heuermontage.com\/?p=38540","title":{"rendered":"To Name is to Know"},"content":{"rendered":"\n

The poem below was written this year in obvious response to what’s lurking. Volodymyr Dibrovar<\/a> is a scholar at Harvard’s Ukrainian Research interview, historian Timothy Snyder was the translator. Dibrovar is a writer, translator and literary critic, a laureate of the Mykola Lukash Award in Translation for his translation of Samuel Beckett\u2019s \u201cWatt\u201d (1991) and the Ukrainian BBC Book of the Year Award for his novel \u201cThe Andriivskyi Descent\u201d (2007.)<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

I am posting it not to feed the increasing depression I see rising in myself and many around me, but because I think it speaks to something larger than the horrors of war alone. The sulphur fumes of a desire to annihilate born out of contempt and clinging to power are spreading everywhere, nationally and internationally. I write this after the Hungarian and before the French election this weekend, and cannot but wonder why fascism is even allowed at the doorstep, much less across it. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

My photomontages today were work commissioned byThe North Coast Chorale in Astoria for a 2016 concert performance of Karl Jenkins\u2019 The Armed Man \u2013 a mass for peace<\/em> (which in turn was dedicated \u00a0to the victims of the Kosovo conflict.) The music uses the structure of a catholic mass, but is filled with diverse, surprising and moving texts from all kinds of sources.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

As it unfolds it brings the listener closer and closer to the devastation wrought by war, the emotional emptiness and trauma that comes with loss and being a victim as much as with being part of the perpetrating forces. It ends with appeals to hope, with a belief that we can and must pursue peace and that memory of the suffering must be kept alive to avoid repetition of warfare.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Look! <\/p>\n\n\n\n

The barrier between us and the netherworld.  We don’t usually see it.  Why should we pay attention?  Our cares are heavy enough already. <\/p>\n\n\n\n

But something has happened.  <\/p>\n\n\n\n

Do you see?<\/p>\n\n\n\n

The membrane is broken, a miasma of lies and hatred flows out.  It drains will and reason from the weak.  Even the strong are in shock. <\/p>\n\n\n\n

It seems to defy the laws of physics  <\/p>\n\n\n\n

It is what it is, look out.<\/p>\n\n\n\n

Toxic, not to be touched, not yet named.  And that’s our problem. <\/p>\n\n\n\n

What is unnamed escapes unpunished.<\/p>\n\n\n\n

Where’s our word for spasmodic contempt and blinding annihilation?<\/p>\n\n\n\n

For a lie so thick it absorbs every truth? <\/p>\n\n\n\n

Search.  To name is to know.<\/p>\n\n\n\n

That is the only rule.<\/p>\n\n\n\n

Of our only game.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Volodymyr Dibrova, (2022) Translated by Timothy Snyder.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

***<\/p>\n\n\n\n

\u0414\u0438\u0432\u0438\u0441\u044f!<\/strong><\/p>\n\n\n\n

\u041e\u0441\u044c \u0442\u043e\u0439 \u043d\u0435\u0432\u0438\u0434\u0438\u043c\u0438\u0439 \u043a\u043e\u0440\u0434\u043e\u043d, \u044f\u043a\u0438\u0439 \u0437\u0430\u0445\u0438\u0449\u0430\u0454 \u043d\u0430\u0441 \u0432\u0456\u0434 \u043f\u043e\u0442\u043e\u0439\u0431\u0456\u0447\u043d\u043e\u0433\u043e \u0441\u0432\u0456\u0442\u0443. \u0422\u043e\u043c\u0443 \u0436 \u043c\u0438 \u0439\u043e\u0433\u043e \u0456 \u043d\u0435 \u0431\u0430\u0447\u0438\u043c\u043e. \u041d\u0430\u0449\u043e \u0432\u0456\u043d \u043d\u0430\u043c? \u041c\u0438 \u0439 \u0431\u0435\u0437 \u043d\u044c\u043e\u0433\u043e \u043b\u0435\u0434\u0432\u0435 \u0434\u0430\u0454\u043c\u043e \u0441\u043e\u0431\u0456 \u0440\u0430\u0434\u0443. <\/p>\n\n\n\n

\u0410\u043b\u0435 \u0449\u043e\u0441\u044c \u0441\u0442\u0430\u043b\u043e\u0441\u044f.<\/p>\n\n\n\n

\u0411\u0430\u0447\u0438\u0448?<\/p>\n\n\n\n

\u0417\u0430\u0433\u0430\u0442\u0430 \u0440\u043e\u0437\u0456\u0440\u0432\u0430\u043d\u0430, \u0456 \u0437 \u0440\u0430\u043d\u0438 \u0446\u0435\u0431\u0435\u043d\u0438\u0442\u044c \u0441\u0443\u043c\u0456\u0448 \u043d\u0435\u043d\u0430\u0432\u0438\u0441\u0442\u0456 \u0442\u0430 \u0431\u0440\u0435\u0445\u043d\u0456. \u0412 \u0441\u043b\u0430\u0431\u0430\u043a\u0456\u0432 \u0432\u043e\u043d\u0430 \u0432\u0456\u0434\u0431\u0438\u0440\u0430\u0454 \u0440\u043e\u0437\u0443\u043c \u0456 \u0432\u043e\u043b\u044e. \u0421\u0438\u043b\u044c\u043d\u0438\u0445 \u0432\u043a\u0438\u0434\u0430\u0454 \u0443 \u0448\u043e\u043a.<\/p>\n\n\n\n

\u0417\u0430 \u0437\u0430\u043a\u043e\u043d\u0430\u043c\u0438 \u0444\u0456\u0437\u0438\u043a\u0438 \u0442\u0430\u043a\u043e\u0433\u043e \u043d\u0435 \u043c\u043e\u0436\u0435 \u0431\u0443\u0442\u0438.<\/p>\n\n\n\n

\u0410\u043b\u0435 \u0442\u0430\u043a \u0454.<\/p>\n\n\n\n

\u041e\u0431\u0435\u0440\u0435\u0436\u043d\u043e! <\/p>\n\n\n\n

\u0426\u0435 – \u0434\u0443\u0436\u0435 \u0442\u043e\u043a\u0441\u0438\u0447\u043d\u0430 \u0441\u0443\u0431\u0441\u0442\u0430\u043d\u0446\u0456\u044f. \u0407\u0457 \u043d\u0435 \u043c\u043e\u0436\u043d\u0430 \u0442\u043e\u0440\u043a\u0430\u0442\u0438\u0441\u044f. \u0422\u043e\u043c\u0443 \u0432\u043e\u043d\u0430 \u0439 \u0434\u043e\u0441\u0456 \u043d\u0435 \u043c\u0430\u0454 \u043d\u0430\u0437\u0432\u0438. \u0406 \u0432 \u0446\u044c\u043e\u043c\u0443 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0430. <\/p>\n\n\n\n

\u0423\u0441\u0435, \u0449\u043e \u043d\u0435 \u043d\u0430\u0437\u0432\u0430\u043d\u043e, \u0432\u0438\u0441\u043b\u0438\u0437\u0430\u0454 \u0439 \u043b\u0438\u0448\u0430\u0454\u0442\u044c\u0441\u044f \u043d\u0435\u043f\u043e\u043a\u0430\u0440\u0430\u043d\u0438\u043c.<\/p>\n\n\n\n

\u0414\u0435 \u0436 \u043d\u0430\u043c \u0437\u043d\u0430\u0439\u0442\u0438 \u0432\u043b\u0443\u0447\u043d\u0435 \u0441\u043b\u043e\u0432\u043e \u0434\u043b\u044f \u043a\u043e\u0440\u0447\u0456\u0432 \u043d\u0435\u043d\u0430\u0432\u0438\u0441\u0442\u0456 \u0442\u0430 \u0431\u0430\u0436\u0430\u043d\u043d\u044f \u043d\u0438\u0449\u0438\u0442\u0438 \u0432\u0441\u0435 \u043d\u0430 \u0441\u0432\u043e\u0454\u043c\u0443 \u0448\u043b\u044f\u0445\u0443?<\/p>\n\n\n\n

\u0410\u0431\u043e \u0434\u043b\u044f \u0431\u0440\u0435\u0445\u043d\u0456, \u043d\u0430\u0441\u0442\u0456\u043b\u044c\u043a\u0438 \u0449\u0456\u043b\u044c\u043d\u043e\u0457, \u0449\u043e \u0457\u0457 \u043d\u0435 \u043c\u043e\u0436\u043d\u0430 \u0440\u043e\u0437\u0447\u0438\u043d\u0438\u0442\u0438 \u043d\u0456\u044f\u043a\u043e\u044e \u043f\u0440\u0430\u0432\u0434\u043e\u044e?<\/p>\n\n\n\n

\u0428\u0443\u043a\u0430\u0439!<\/p>\n\n\n\n

\u0425\u0442\u043e \u0437\u043d\u0430\u0454 \u0456\u043c\u2019\u044f, \u0437\u043d\u0430\u0454 \u0432\u0441\u0435.<\/p>\n\n\n\n

\u0426\u0435 \u2013 \u0433\u043e\u043b\u043e\u0432\u043d\u0430 \u0443\u043c\u043e\u0432\u0430 \u0446\u0456\u0454\u0457 \u0433\u0440\u0438.<\/p>\n\n\n\n

\u0406\u043d\u0448\u043e\u0457 \u0433\u0440\u0438 \u0432 \u043d\u0430\u0441 \u043d\u0435\u043c\u0430\u0454.<\/p>\n\n\n\n

(Volodymyr Dibrova, 2022)<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Here is Karl Jenkin’s Armed<\/a><\/em> Man<\/em><\/a><\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

The poem below was written this year in obvious response to what’s lurking. Volodymyr Dibrovar is a scholar at Harvard’s Ukrainian Research interview, historian Timothy Snyder was the translator. Dibrovar is a writer, translator and literary critic, a laureate of the Mykola Lukash Award in Translation for his translation of Samuel Beckett\u2019s \u201cWatt\u201d (1991) and […]<\/p>\n","protected":false},"author":1,"featured_media":38551,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[261,197,36],"tags":[50,410,736],"class_list":["post-38540","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-poetry","category-politics","tag-karl-jenkins-the-armed-man","tag-timothy-snyder","tag-volodymyr-dibrova"],"acf":[],"yoast_head":"\nTo Name is to Know - YDP - your daily picture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.heuermontage.com\/?p=38540\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"To Name is to Know\" \/>\n<meta property=\"og:description\" content=\"The poem below was written this year in obvious response to what’s lurking. Volodymyr Dibrovar is a scholar at Harvard’s Ukrainian Research interview, historian Timothy Snyder was the translator. 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