{"id":4512,"date":"2017-03-27T07:24:12","date_gmt":"2017-03-27T14:24:12","guid":{"rendered":"http:\/\/www.heuermontage.com\/?p=4512"},"modified":"2017-03-27T07:24:12","modified_gmt":"2017-03-27T14:24:12","slug":"referencing","status":"publish","type":"post","link":"https:\/\/www.heuermontage.com\/?p=4512","title":{"rendered":"Referencing"},"content":{"rendered":"

\"\"<\/p>\n

Tilden\/Giorgio de Chirico<\/p>\n

This week will be governed by the fact that I am leaving for a funeral in Germany. I will write when I can, but things will be in flux.<\/p>\n

Understandably, my thought has been about relationships, how much meaning they give to life. That is, of course, not just true for friendship, but also to how one relates to the rest of the world, particularly within one’s specialized sphere of interest.<\/p>\n

\"\"<\/p>\n

Celaya\/The Calling 2009<\/p>\n

I found this echoed in the article linked below, about a nifty, 6 year old program at the Phillips Collection. They have an annual show called\u00a0One-on- One\u00a0<\/em>which encourages a painter to choose a piece or several from their collection and juxtapose them to their own to be exhibited work. Last year they showed Carol Brown Goldberg paired with Henri Matisse. This year it is Celaya who chose Albert Pinkham Ryder, a 19th century painter.<\/p>\n

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Ryder\/Dead Bird ca 1879<\/p>\n

Both reference literature, Kierkegaard for Celaya, Shakespeare for Ryder, both use darkness, in particular tar, as a medium, both are masters of simplicity and \u00a0veer into mysticism. Celaya, by the way, came to art through science: \u00a0He studied Applied & Engineering Physics at Cornell U, received an MA in Quantum Electronics UCBerkeley, and pursued a Phd before abandoning physics for art.<\/p>\n

Enrique Mart\u00ednez Celaya’s “The First Kierkegaard”<\/a><\/p><\/blockquote>\n