{"id":46239,"date":"2022-12-26T07:10:03","date_gmt":"2022-12-26T15:10:03","guid":{"rendered":"https:\/\/www.heuermontage.com\/?p=46239"},"modified":"2022-12-26T08:50:17","modified_gmt":"2022-12-26T16:50:17","slug":"bird-bazaar","status":"publish","type":"post","link":"https:\/\/www.heuermontage.com\/?p=46239","title":{"rendered":"Bird Bazaar"},"content":{"rendered":"\n

We were iced in for a bit last week, although thankfully not for long or as intensely as much of the rest of the country. Photography was restricted to what was available out of the windows, ample traffic given the cold. All those birds made me think of my unhealthy preoccupation with the demise of the bird app: TWITTER.<\/p>\n\n\n\n

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Nuthatches galore (Kleiber)<\/p>\n\n\n\n

Scold me all you want (you know who you are), my time spent on that medium was not preoccupied with “doom scrolling.” It has been a source of information about politics I care about that would have been – is – otherwise unavailable. A lot of the European news are behind paywalls, and some not published in the main media at all, as for example a lot of the discussions among young, progressive Jewish voices in Germany. A lot of Black voices opened new horizons not easily accessible otherwise.<\/p>\n\n\n\n

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Twitter has been indeed a platform that allowed marginalized voices to communicate and to be heard, internationally it was the choice for many movements that were able to organize this way and get the news out. With the arrival of Emperor Musk, as many call him, although I prefer Elmo, the safety of those voices is endangered. Next to the monopolized print press in large parts of the world, a platform that allowed new collectives to form has now become the plaything of yet another oligarch, his whims defining the rules. <\/p>\n\n\n\n

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Plaything is too harmless a word – the site is now a weaponized tool that can wield large influence, not least over the upcoming 2024 election in this country. But it can also wreak havoc abroad. Major investors in Musk’s take-over of the company are Saudi prince\u00a0Alwaleed bin Talal<\/a>, the Quatar Investment <\/em>Company and Binance<\/em>, the massive crypto finance company founded in China. They have been given special access to confidential company information. (Ref<\/a>.) There is a huge worry that so far anonymous voices of dissidents will be outed, leading to their persecution. In Saudi-Arabia alone, 40% of all citizens are on twitter, anonymously. <\/p>\n\n\n\n

As owner and CEO, Musk has removed the entire human rights team, as well as the team dedicated to disabled users, and the old content curation team which dealt with fighting disinformation. His next move was to ban the accounts of people publicly critical of him, journalists included. The re-admission of previously banned, extremist sites en masse has of course led to explosions of lies, racist and anti-Semitic tropes and disinformation, much to the satisfaction of the owner who encouraged voters to choose far right candidates during the mid-term elections. Just yesterday he tweeted, once again, a word that squarely panders to the extremist belief system that nefarious Jewish powers plan to replace the white US population with Brown people. <\/p>\n\n\n\n

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Flicker (Goldspecht)<\/p>\n\n\n\n

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Wren (Zaunk\u00f6nig)<\/p>\n\n\n\n

Importantly, and that is why I think I am so preoccupied with it all, there are no mechanisms that could curb the whims of an emperor. Maybe the financial chaos, with advertisers leaving as well as the important content providers, will lead to bankruptcy. But given that there is a network of unimaginably rich individual and state entities across the world that support his political ambitions, I don’t believe lack of money will be the downfall. Unfathomable riches of a few allow manipulation of public opinion and elimination of critics, quite literally.<\/p>\n\n\n\n

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Likely a hermit thrush, I learned, an unusual bird here at this time of year (Drossel)<\/p>\n\n\n\n

Here is one of my favorite political reviews<\/a> of the year that speaks to the choices the powerful have, reminding us of and analyzing a biting poem by Browning in this context, no less. Greg Olear’s column Prevail<\/a> <\/em>has been a recent discovery for me and a source of pleasure. So are the birds, to which I will now return, hidden behind the window frame, camera in hand.<\/p>\n\n\n\n

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Robins (Rotkehlchen)<\/p>\n\n\n\n

My Last Duchess <\/h1>\n\n\n\n

BY ROBERT BROWNING<\/a><\/p>\n\n\n\n

FERRARA<\/p>\n\n\n\n

That\u2019s my last Duchess painted on the wall,<\/p>\n\n\n\n

Looking as if she were alive. I call<\/p>\n\n\n\n

That piece a wonder, now; Fra Pandolf\u2019s hands<\/p>\n\n\n\n

Worked busily a day, and there she stands.<\/p>\n\n\n\n

Will\u2019t please you sit and look at her? I said<\/p>\n\n\n\n

\u201cFra Pandolf\u201d by design, for never read<\/p>\n\n\n\n

Strangers like you that pictured countenance,<\/p>\n\n\n\n

The depth and passion of its earnest glance,<\/p>\n\n\n\n

But to myself they turned (since none puts by<\/p>\n\n\n\n

The curtain I have drawn for you, but I)<\/p>\n\n\n\n

And seemed as they would ask me, if they durst,<\/p>\n\n\n\n

How such a glance came there; so, not the first<\/p>\n\n\n\n

Are you to turn and ask thus. Sir, \u2019twas not<\/p>\n\n\n\n

Her husband\u2019s presence only, called that spot<\/p>\n\n\n\n

Of joy into the Duchess\u2019 cheek; perhaps<\/p>\n\n\n\n

Fra Pandolf chanced to say, \u201cHer mantle laps<\/p>\n\n\n\n

Over my lady\u2019s wrist too much,\u201d or \u201cPaint<\/p>\n\n\n\n

Must never hope to reproduce the faint<\/p>\n\n\n\n

Half-flush that dies along her throat.\u201d Such stuff<\/p>\n\n\n\n

Was courtesy, she thought, and cause enough<\/p>\n\n\n\n

For calling up that spot of joy. She had<\/p>\n\n\n\n

A heart\u2014how shall I say?\u2014 too soon made glad,<\/p>\n\n\n\n

Too easily impressed; she liked whate\u2019er<\/p>\n\n\n\n

She looked on, and her looks went everywhere.<\/p>\n\n\n\n

Sir, \u2019twas all one! My favour at her breast,<\/p>\n\n\n\n

The dropping of the daylight in the West,<\/p>\n\n\n\n

The bough of cherries some officious fool<\/p>\n\n\n\n

Broke in the orchard for her, the white mule<\/p>\n\n\n\n

She rode with round the terrace\u2014all and each<\/p>\n\n\n\n

Would draw from her alike the approving speech,<\/p>\n\n\n\n

Or blush, at least. She thanked men\u2014good! but thanked<\/p>\n\n\n\n

Somehow\u2014I know not how\u2014as if she ranked<\/p>\n\n\n\n

My gift of a nine-hundred-years-old name<\/p>\n\n\n\n

With anybody\u2019s gift. Who\u2019d stoop to blame<\/p>\n\n\n\n

This sort of trifling? Even had you skill<\/p>\n\n\n\n

In speech\u2014which I have not\u2014to make your will<\/p>\n\n\n\n

Quite clear to such an one, and say, \u201cJust this<\/p>\n\n\n\n

Or that in you disgusts me; here you miss,<\/p>\n\n\n\n

Or there exceed the mark\u201d\u2014and if she let<\/p>\n\n\n\n

Herself be lessoned so, nor plainly set<\/p>\n\n\n\n

Her wits to yours, forsooth, and made excuse\u2014<\/p>\n\n\n\n

E\u2019en then would be some stooping; and I choose<\/p>\n\n\n\n

Never to stoop. Oh, sir, she smiled, no doubt,<\/p>\n\n\n\n

Whene\u2019er I passed her; but who passed without<\/p>\n\n\n\n

Much the same smile? This grew; I gave commands;<\/p>\n\n\n\n

Then all smiles stopped together. There she stands<\/p>\n\n\n\n

As if alive. Will\u2019t please you rise? We\u2019ll meet<\/p>\n\n\n\n

The company below, then. I repeat,<\/p>\n\n\n\n

The Count your master\u2019s known munificence<\/p>\n\n\n\n

Is ample warrant that no just pretense<\/p>\n\n\n\n

Of mine for dowry will be disallowed;<\/p>\n\n\n\n

Though his fair daughter\u2019s self, as I avowed<\/p>\n\n\n\n

At starting, is my object. Nay, we\u2019ll go<\/p>\n\n\n\n

Together down, sir. Notice Neptune, though,<\/p>\n\n\n\n

Taming a sea-horse, thought a rarity,<\/p>\n\n\n\n

Which Claus of Innsbruck cast in bronze for me!<\/p>\n\n\n\n

<\/p>\n\n\n\n

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Chickadee, Towhee and Junko (Meise, Winterammer, Grundammer.)<\/p>\n\n\n\n

<\/p>\n\n\n\n

Music, staying with the topic, is Beethoven’s Emperor<\/a> Piano concerto Nr. 5,<\/em> played by the incomparable Ashkenazy.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

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