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Dance

Grace in unlikely Places.

I was thoroughly bummed. A friend had reached out if I could resume photographing one of his Master Classes, this time at BodyVox and on-line, offering a Dance Workshop on July 8th and a Drum Workshop on the 9th. How I would have liked to do that, but of course I can still not attend inside sessions. It’s been almost three years since I’ve documented those African drummers and I miss it (wrote about them last here.) Check it out – it’s open to all and an exhilarating experience.

My mood did not exactly improve when I tried to soothe my irritation with a walk. The extent of the damage that last summer’s drought and this spring’s cold floods did to the trees at the Oak Bottom nature preserve is now evident, and it is considerable. Worse, there are open fire pits to be found in the park, a clear and present danger to the old growth around it, never mind the trash. I so understand the houseless pitching their tents away from dangerous highways, or sidewalks where the next forced removal is around the corner. But my heart fears for the safety of the forest when fire becomes involved.

Fire ring ashes above, Cottonwood tree fluff lying around like tinder below.

In case we’d forget, someone spelled out the systemic root causes, adding cries for help.

“Capitalism ruined everything.”// Save Kids.

Read by me during a month when the Supreme Court had revoked women’s constitutional rights to bodily autonomy, decided that Miranda rights aren’t really necessary, declared that states can’t regulate firearms, assured that the EPA cannot regulate assaults on our – and the world’s – environment, but states can use new powers in “Indian Country,” not just further diluting Native American sovereignty, but also opening an avenue to criminalize and punish any non-native protesters who come to states that go ahead with drilling and pipelines. Mood further deteriorating.

As Vox Senior Correspondent Ian Millhiser remarked: “The United States has three branches of government, the Judiciary, which makes laws. The Executive, which sends a lawyer to the Supreme Court to argue in favor of laws. And the Senate, which blocks Democratic nominees to the Judiciary. Oh, and the House which asks for campaign donations.”

Still, wildflowers, chicory and sweet peas, morning glory and jewel weed among them, lined the path.

Ducks went about their business, watched over by a solitary heron (where did all the others go?)

Raccoon and I exchanged meaningful glances before we parted.

And the birds ignored it all and just trilled out their song. Or foraged for lunch. Or fed their fledgelings, closer to home. At the equal opportunity bird feeder in front of the study window.

This is about 5 meters from the road which she regularly crosses to get to my roses and hostas….whatever small fruit had managed to set on the apricot trees are gone as well.

Daily practice of hope? Turn to British writer and poet Tom Hirons. How can you not seek help from a poet who describes himself on his website as:

Essentially a cheerful fellow driven to apoplexy and grief by the madness of our times, Tom is calmed most effectively by walking on Dartmoor, by sleeping in the deep greenwood and by the sound of true words spoken.

Holding each other fast against entropy was likely the principle behind this tagger’s planting of joy, which ultimately cheered me up – a distributed garden of flowering hearts, specimens all photographed at Oaks Bottom on this one round yesterday. Grace occurs in unlikely places.

Here is a recent performance of Sekou, his mates and the young dancers at a Blazers game.

And here is some Kora music from West Africa.

There’s Hope

There were at least two people in awe at Da Vinci Arts Middle School last evening while attending the Winter Showcase of Faubion and Harriet Tubman Middle School: this young lady and I.

As HTMS principal Natasha Jackson, in unison with teachers, staff and musicians from the other organizations, put it: People of all races and all backgrounds are coming together to celebrate art and the achievement of these young dancers who have worked hard to present an incredible program. Both schools have a diverse student population, with many languages on their website to get information to all those parents who have newly arrived. To see all those different faces merge into dance ensembles that became one in the movement really represented hope: for a future where unity fights back the forces of segregation.

The program was focused on African dance but also had some modern dance pieces put in the mix. Oluyinka Parsons- Akinjiola and Sekou Walker did a marvelous job with the choreography; I can only begin to imagine the amount of work they put into this to reach such a tight performance. The Sebé Kan drummers had one of the most energetic sessions I have ever seen them perform, but the glory belonged to the dancers. They have come such a long way and between raw talent and tremendous amounts of rehearsal they were really hitting it.

Even during the nightmare of any live performer, when the technical equipment that played the music (by Ella Mai and Burma Boy for the modern dance pieces) somehow decided to quit midstream, they continued to dance with poise when the life drumming simply stepped in and rescued that moment. Bravo!

Girls and boys, across middle-school ages, showed not just skill and an increasing repertoire. They were so full of passion, so clearly in the moment exuberant and letting it fly that the entire auditorium was humming with excitement. It was simply a joyful moment during these dark January days.

Dances originated from diverse traditions: from an Afro-Cuban background, from the Guinea independence movement, some honoring the Sousou ethnic group, others the Mandeng and the old Mali empire. I will let the photographs speak for themselves.

Last minute rehearsal and warm-up in the gym.
Waiting for the stars to appear…

Boys held their own…

as did these warriors

Energy was palpable

Costumes were beautiful

And the modern dance was evocative

Let them all flourish and enrich our communities.

Here is an older clip by Sebé Kan

Community Representation

The auditorium at Jefferson High School was humming like a beehive, punctuated by giggles and squeals of excited youngsters greeting each other, and the occasional wail of a baby in their parent’s arm, all waiting for the Spring Recital of the Harriet Tubman Middle School and Faubion Elementary School.

Before photographing the performance, I had a chance to walk the dark stage, occasionally taking a picture of the students, blurry in the absence of good, well, almost any light. The blurriness matched the mood to perfection, though – everyone was eager to go, quick on their feet, slightly nervous and wondering if all the hard work they had put in for months on end would pay off. Sort of a fleeting moment before the show started for real.

And what a show it was: the energy on the stage amplified by the appreciative reception in the hall, the musicians’ visible joy amplified by the stomping of quick feet, competing for control over the speed, the room lit up by the smiles of the performers, amplified by the proud smiles of their parents.

The school leadership, the teachers, the musicians, the choreographers all pulled something together that was remarkable. The dancers themselves were a wonder – making it work in ways that integrated everyone from beginners to young people who might as well be professionals. The same was true for a grand finale drumming performance that had the audience stomping in the aisles.

And I asked myself, why are not more people coming to applaud these kinds of achievements? How are we, the community, represented when it comes to providing encouragement to projects like these? For all the talk of helping underserved populations, where are we when our mere presence could provide some actual support?

I had the privilege to listen to the drumming of Hakim Rashad Muhammad and Derrel Sekou Soumah Walker, the students’ teachers, on many previous occasions. Sekou’s wife, the intensely talented Karida Griffith Walker, is going to be part of the teaching faculty at Portland Tap Dance Fest, coming up next weekend. You can read about her below.

I will be watching the Friday night performance of our cousin Bethany Reisberg and her colleagues – if you want to be uplifted, consider coming as well!

And here is a clip that shows Griffith Walker tap dancing a few years back with Dorrence Dance.